IndexStoreRecipesFeaturesAdd RecipeInquiriesGrapevineHot ChefTravelLifestyleQuick and EasyForum


As tasty as it is visually pleasing, Tetsuya's "checkerboard" alternates squares of tuna with hamachi
Photo: Courtesy of Ten Speed Press

___________


Sydney's Cosmopolitan Cuisine
By Carole Kotkin

____________________


Like many Americans who learned about Australia's gastronomy via the Outback Steakhouse, I went to Australia full of culinary misconceptions. I expected Vegimite sandwiches for lunch and rustic dinners of overdone sides of beef. Instead, I discovered Australia's cuisine to be so much more than "shrimp on the barbie" and "bloomin' onions."

In fact, Sydney, arguably the most recognizable city in Australia, has one of the most exciting food scenes in the world. And it's difficult to think of another metropolis that matches Sydney for its international flair and joie de vivre.There is more than a touch of Hong Kong in its balmy climate; Los Angeles in its laid-back lifestyle; Paris in its smooth self-assurance; and New York in its energy. Its four million residents are imbued with a pioneering, do-it-yourself spirit, a zest for challenges and an innate curiosity. This attitude, similar to the one that launched California cuisine two decades ago, has likewise influenced the way Aussies eat today.

The birth of Australian gastronomy coincided with the rise of Australian wine. By the end of the 1970s, wine production had become a major industry in Australia. Vineyards flourished across the southern half of the continent. Vintners were turning out wines that were among the vanguard of the New World offerings. Australian diners were becoming more knowledgeable about the country's increasingly polished wines, and they expected sophisticated food to go with them.

Mirroring accomplished California chefs like Michael McCarty (Michael's, Santa Monica) and Wolfgang Puck (Spago, Los Angeles), who were pairing their state's wines with first-rate regional ingredients, a similar movement got underway in Australia more than a decade ago with ambitious Sydney chefs taking the lead. Naturally, the impression they've made on the world at large is based on the quality of their building blocks: lush produce, world-famous beef and lamb, bountiful seafood and farmstead cheese. And while these chefs enjoy showcasing native ingredients, such as kangaroo and emu (both taste like venison); yabbies (crayfish); caviar; sea urchins; barramundi (a white, bony fish); Sydney rock oysters; Margaret River Marron tails (small lobsters); and warrigal (a spinach-like green), they do so with cosmopolitan flair. "We are like California, with everything close at hand," observes super-chef Neil Perry of the Rockpool Group. "It all comes down to produce," he continues. "From a young age, I was taught the meaning of freshness and the importance of developing a keen eye for quality."

Almost exponentially, the success of Australia's restaurateurs in re-interpreting area foodstuffs has inspired the production of ever-better ingredients. Just as Alice Waters did at her groundbreaking restaurant Chez Panisse in California, many Aussie chefs, including Tetsuya Wakuda of Tetsuya, a Sydney institution, demand that regional farmers, foragers and fisherman aim for distinctiveness.

"I like to make simplicity seem like abundance," Tetsuya explains. To achieve excellence, "we use the best quality ingredients - all the technique and effects, such as herbs, spices and salt, only enhance the essence of the taste."

In recognition of regional foodstuffs, Tetsuya (no one refers to him by his last name) and his colleagues highlight a product's provenance on their menus. So it's not just chicken and fish, it's free-range Kangaroo Island chicken and farm-raised Tasmanian salmon.

Many of Sydney's top chefs believe Australia's artisanal cheese-making industry can turn out cheeses that match the quality and variety of Australian wines; notable offerings include the luscious, creamy Trago River blue orchid from Victoria and the tangy, nutty goat's milk kervella rondolet from Western Australia. It gives chefs like Perry, who also hosts a television cooking series and consults for Qantas Airways, great pleasure to offer such cheeses to their patrons, serving them with Australian wines.

Rockpool, Perry's signature establishment, opened in 1989 in the historic Rocks section of Sydney. Its wine list here focuses primarily on Hunter Valley bottlings. Indeed, many wines on the list were made especially for Perry, whose wine instincts are impeccable. "I remember sitting at the table and enjoying a glass of wine with the family at 15. I'm sure this was critical to the development of my fascination with food and flavors," he says.

At Tetsuya's namesake eatery, the wine list fills 13 pages, and every recipe in his eponymous cookbook is accompanied by wine recommendations (sparkling wine, Pinot Noir and Riesling dominate). "Cooking is balance," Tetsuya notes. "It is flavors and textures that combine so that nothing sticks out. And [taken together] that's what food and wine should be."

In addition to utilizing natural resources, Sydney's chefs have appropriated the variety of emerging ethnic influences. Pre-1980 fine dining meant surf-and-turf (just as it did in the United States), but the early 1980s brought relaxed immigration laws that enabled Vietnamese, Malaysian, Korean, Thai, Chinese and Indians to take up new lives in Australia. These newcomers infused neighborhoods across Sydney with their distinctive flavors. As a result, Perry insists, "I can get better Asian produce here than in Hong Kong."

"We're all immigrants, except for the aborigines," says Tetsuya, whose family is from Hamamatsu, Japan. "What's interesting to me is that each immigrant brings centuries of his own culture's food history." Both his cuisine and the pages of his cookbook display a sophisticated minimalism associated with Asian culture.

Rockpool's Perry says he happily borrows an idea here, a flavor there. "Born of a truly multicultural, New World society, it has been easy for me to weave myriad cultural threads into a dish that I believe is uniquely Australian."

Of the 130 nationalities that comprise Australia's population, southern Europeans and Middle Easterners are becoming more visible. On every foodie's radar screen is Janni Kyritsis, executive chef of MG Garage. Born in Greece and an electrician by trade, Kyritsis learned to cook from Julia Child's book, Mastering the Art of French Cooking, when he arrived in Australia in 1970. Before becoming an "overnight success" at MG Garage - which Terry Durack of The Sydney Morning Herald's Good Living magazine deems "the best restaurant" in Sydney - Kyritsis' career spanned 25 years between Stephanie's restaurant in Melbourne to Berowra Waters Inn and then to Bennelong Restaurant at the Sydney Opera House.

Most notably, Kyritsis helped introduce Mediterranean flavors to the Australian palate.

"I was bringing the olive oil in as the butter was going out," he says. Now considered one of the most innovative chefs in Australia, he derives his dishes - Sicilian grilled mullet stuffed with pine nuts and oranges; galantine of suckling pig served with broad beans and lentils; and quail and pig's trotters sausage wrapped in grape leaves - from both his heritage and his present surroundings.

Despite the cornucopia of antipodean and ethnic ingredients, or maybe because of it, Sydney's chefs have difficulty agreeing on one name or one definition for a national cuisine, which is sometimes called "Mod Oz" (modern Australian). "We don't have an Australian cuisine," Tetsuya claims. "We don't have the history yet. Maybe after 30 or 40 years we will. We definitely have good food, good ingredients." Perry, who has helped significantly to shape modern Australian cuisine, is just as heartfelt, if a bit more prosaic. "I call it Australian because I am Australian. If I were cooking in New York or Paris or San Francisco, my food would not be what it is."

Kyritsis takes a historic view: "[Europeans] have only been in Australia for 200 years. The true Australian tradition belongs to the aborigines."

He believes modern Australian cooking is based upon what is done in the homes. "It's the ability to adapt what is in their hands to their particular ethnic cuisine." This culinary Darwinism has resulted in restaurant menus that are as creative and eclectic as New American restaurants in San Francisco and Chicago.

Many of Sydney's restaurants are visceral representations of this colorful gastronomic tapestry. Restaurateur Stan Sarris, credited with spearheading the trend toward regional foodstuffs ten years ago, is also noted for bringing hip, savvy, sophisticated dining venues to Sydney. "Although Australians have learned about quality food, they want more," he states. "Our restaurants offer a whole package - quality food and wine, fun, provocation, mystique, music, fashion and theater."

Sarris proved his theory with the 1997 opening of the award-winning Banc (and Wine Banc), located in a splendid, old bank building in the heart of Sydney's business district. Below ground, Sarris and gourmet products purveyor Simon Johnson filled a vast cellar, the former old General Post Office, with a walk-in cheese cave, an aging room for meats, a tapas and sushi bar, a seafood bar, a greengrocer, an espresso bar, a bakery, a brasserie and a steakhouse called Prime. It's like Dean & DeLuca and Balducci's rolled into one or, in Sarris' words, "an infrastructure designed for an evolving lifestyle."

And one can't speak about lifestyle without revisiting MG Garage, considered Sydney's most striking dining room. Co-owned by an epicurean car importer, the restaurant is also a showroom for vintage MG sports cars. For those who can afford one - and many of the diners here can - the classic cars are available for purchase along with dinner. With its long bar and leather banquettes echoing the cars' interiors, the space won the Society of Interior Designers' award for best interior design of 1998.

But when it comes to food, Sydney attracts great chefs for the same reason New York does: They jump at the chance to work alongside star chefs to develop their own skills. Even Tetsuya, who had never even taken a cooking class, found himself transformed after making sushi at Chef Tony Bilson's Kinsela restaurant. He had arrived in Sydney in 1982 at the age of 22 with little more than a suitcase and a love of food, intending to stop over for only a year or two before moving on to America. Instead, with Bilson as his mentor, Tetsuya developed an interest in French technique, and wound up opening his first restaurant in 1989 in a tiny storefront in the Sydney suburb of Rozelle. It was always booked, with a lengthy waiting list.

In November 2000, he relocated to central Sydney, where he renovated a historic site to create his dream restaurant, which includes a Japanese garden. "I still have a Japanese palate, but I don't have fixed ideas about food," Tetsuya admits. Thus his patrons are treated to a dégustation of some 14 separate dishes, many just a few delicious bites, served in shot glasses or martini glasses to show off the rainbow of fish, caviar, vegetables, fruits and sorbets that dot the menu.

Standouts include a sublime tartare of tuna with tomato sorbet; a confit of Tasmanian ocean trout with roe and marinated fennel; and a tian of marinated scampi with pawpaw, cucumber and tonburi - each selection exquisitely presented on ceramic dishes designed to Tetsuya's specifications. His skill in combining Japanese inspiration, French technique and the freshest Australian ingredients is apparent with his treatment of raw fish, which he "cooks" so slowly in olive oil that it melts in your mouth much like foie gras.

Perry also employs Asian techniques lavishly, both at the Pacific Rim-oriented Rockpool and XO, a recent venture that features Malaysian cuisine.

He attributes his abiding interest in the Pacific Rim to the influence of two Chinese students whom his family took in. "I'm sure that this grounding in Chinese culture started my love affair with all things Asian," he says. When he started cooking (after working as a waiter in upscale restaurants), it seemed natural to make dishes such as stir-fried squid with black-ink noodles, garlic, chili and coriander, or stir-fried blue swimmer crab omelets. "My food is very individual. I use the parts of Asian cooking that I enjoy and merge them with my own background in Western cooking," he explains. Along the way, he also developed his fundamentals of French Provincial and Mediterranean cooking. Of his fare at Rockpool, The Sydney Morning Herald Good Food Guide notes, "The Chinese, Thai and French flavors and techniques meld together like friends at a party."

Like Tetsuya and many Sydney restaurants, Rockpool makes no distinction between starters and main courses. "We don't have a strong tradition to hold us back. I can be a free spirit," Perry enthuses.

Other chefs feel similarly unbound. Take Banc's Irish-born executive chef Liam Tomlin, who began his career at age 14 and honed his skills in some of Europe's finest kitchens. Moving to Australia in 1991, he joined forces with Stan Sarris when Banc opened. Tomlin and his peers are now embracing French cooking styles, but because they aren't constrained by French tradition, they have a good time with it. The food at Banc - for example, a terrine of tomato and blue swimmer crab with sweet crab and tomato layers wrapped in a delicate sheet of leek, garnished by a dice of raw vegetables - is fundamentally French in technique, but it's prepared with a light, modern Australian touch.

And while the ascension of Australian wines may have been the impetus for the changes wrought on Sydney's dining scene, the convergence of regional products and Aussie tenacity with French methods, Japanese precision and Asian spices made for a perfect recipe.


RECIPES

Checkerboard Tuna and Hamachi with Orange Oil - Adapted from the Tetsuya cookbook

3 1/2 ounces tuna
3 1/2 ounces hamachi (yellowtail)
3/4 teaspoon ginger juice*
1/4 teaspoon orange oil*
1 drop grapeseed oil
Sea salt


*To make orange oil substitute, infuse grated orange zest into grapeseed oil; to make ginger juice substitute, wrap grated ginger in paper towel and squeeze out the juice.

Trim the fish into square blocks. Cut the fish into 1/4" thick slices. Combine the ginger juice, orange and grapeseed oils and mix well. Place the fish on serving plates in a checkerboard pattern and spoon over the vinaigrette. Place a few flakes of sea salt on top and serve. Serves 4 Wine suggestions: Aromatic, medium-bodied white - 1999 Henschke Gewürztraminer; 1998 Martinelli Gewürztraminer, Martinelli Vineyard Select; 1998 Mann Gewürztraminer.

Parmesan- and Olive-Crusted Australian Lamb Chops

Courtesy of The Australian Meat & Livestock Association

12 Australian loin lamb chops, about 1" thick
3/4 cup grated Reggiano-Parmigiano
1 tablespoon finely chopped garlic
3/4 cup imported black olives, pitted and finely chopped
1 tablespoon fresh thyme, chopped
9 tablespoons olive oil, divided


Pre-heat oven to 350 degrees F. Combine the Parmesan cheese, garlic, black olives, thyme and 6 tablespoons of olive oil. Spread 1 tablespoon of cheese mixture evenly on one side of each chop. Heat the remaining oil in a non-stick sauté pan over medium heat. Place the chops in the pan, with the Parmesan mix side up. Brown the chops, then flip and cook for 30 seconds to 1 minute. Using a spatula, flip the chops again onto a baking tray and place in a preheated 350-degree F oven for 4-5 minutes or until the chops reach an internal temperature of 130-135-degree F for medium-rare. Serves 6

Wine suggestions: Rich, full-bodied red - 1998 Cosentino, The Poet; 1999 Crane Family Merlot, Don Raffaele Estate; 1998 Yalumba Cabernet Sauvignon, The Menzies.


 


Click to see next page

Food Editor Carole Kotkin is a Miami-based cooking instructor and consultant who co-authored Mmmmiami - Tempting Tropical Tastes for Home Cooks Everywhere. It provides clear, simple directions for 150 dishes, from the simple (good old Key Lime Pie) to the sublime (Coconut Mahi-Mahi with Passion Fruit Sauce). The wide array of flavors is especially wonderful and startling to those used to monocultural cooking; Miami cuisine is the product of many generations of interbreeding and hybrid vigor. Click on the link below for more details or to order.

Mmmmiami : Tempting Tropical Tastes for Cooks Everywhere



Article first published in The Wine News

 

Also This month...

The Cheese Course
American diners have discovered one of Europe's most civilized culinary traditions
By Carole Kotkin

Italy's Classic Pastas –
and the Wines that Make Them Sing

By Barbara & Edward Beltrami

Smitten by Shiraz
By Jim Turner


Eat Your Vegetables!
Pairing Wine with Plant-Based Cuisine
By Carole Kotkin & Fred Tasker

Eastern Winery Weekends
Bed, Breakfast and Bottling Lines

By Marguerite Thomas

Farming Tomales Bay Oysters
By Linda Murphy

All articles courtesy of The Wine News

IndexStoreRecipesFeaturesAdd RecipesInquiriesWine IndexHot ChefTravelLifestyleQuick and EasyA Tangled Spider ProductionForum